Skip to content

THE PRODUCTION SYSTEM

ONE SYSTEM.

Audio, lighting, video, staging and talent engineered together — from the first advance call to the last case on the truck.

SCENE 03 — THE PRODUCTION ENGINE

EVERYTHING STARTS WITHTHE RIGHT SYSTEM.

Steel ground-support structure assembled against open sky
RIG STATE — 1 / 5 ACTIVEPARTIAL SYSTEM

Switch on what your event needs. The rig builds in front of you — the same way we build it in the room.

BUILD THIS FOR REAL
Line array speaker hangs suspended above a venue floor
SCENE 04

WE ENGINEER THE ROOM.

SOUND.ENGINEERED.

Every room is a different instrument. We measure it, model it, and build a system that covers the last row as honestly as the first. Line array or point source, the answer comes from the room — never from the catalog.

  • 01

    COVERAGE DESIGN

    Room modeling and array prediction before a single box is hung.

  • 02

    SYSTEM TUNING

    Measurement-based alignment, delay rings, and time-aligned subs.

  • 03

    MONITOR WORLD

    Wedges, IEMs, and dedicated monitor engineering for the artist.

  • 04

    SHOW CONTROL

    Redundant front-of-house with a documented, repeatable show file.

BUILD WITH SOUND
Teal and violet spotlight beams cutting through a dark room
SCENE 05

WE CONTROL THE ENERGY.

LIGHT.PROGRAMMED.

Lighting is pacing. It tells the crowd when to breathe and when to lose it. We design the rig, then program the show cue by cue so the energy lands on the beat instead of near it.

  • 01

    RIG DESIGN

    Plots, hang positions, power and data distribution engineered to the venue.

  • 02

    PROGRAMMING

    Cue-by-cue busking and timecode for set pieces that must hit exactly.

  • 03

    ATMOSPHERE

    Haze management so every beam is visible without fogging the room.

  • 04

    OPERATION

    A dedicated LD on console for the entire show, not a preset on repeat.

BUILD WITH LIGHT
Steel ground-support structure assembled against open sky
SCENE 06

WE BUILD THE PLATFORM.

STAGE.BUILT.

The stage is the structure everything else hangs from. Decks, roof, ground support, barricade and rigging get engineered first — because the show only exists if the platform is safe.

  • 01

    STRUCTURE

    Decking, risers and roof systems specified to load and wind rating.

  • 02

    RIGGING

    Ground support and motor rigging with documented point loads.

  • 03

    FLOW

    Load-in paths, wings, stairs, ramps and backline placement.

  • 04

    SAFETY

    Barricade, crowd separation and a written production safety plan.

BUILD WITH STAGE
A stage backed by a large illuminated screen
SCENE 07

WE MAKE THE MOMENT VISIBLE.

VISION.SCALED.

LED turns a stage into a screen and a room into a world. We build the wall, run the content, and put IMAG in front of the people standing four hundred feet back.

  • 01

    LED WALLS

    Indoor and outdoor tile packages configured to viewing distance.

  • 02

    CONTENT

    Motion backdrops, sponsor loops and set-specific visual design.

  • 03

    IMAG

    Live camera, switching and playback so the back of the room sees the front.

  • 04

    PROCESSING

    Redundant processors, scalers and a clean signal path end to end.

BUILD WITH VIDEO
SCENE 08

WE CONTROL THE ROOM.

ENERGY.DIRECTED.

Marcus has spent a career reading rooms in real time. That instinct is the reason 3D exists — production is only worth building if somebody knows what to do with it.

  • 01

    HEADLINE SETS

    Concert, festival and club programming with full production integration.

  • 02

    HOST + MC

    Program flow, announcements and crowd direction across the run of show.

  • 03

    PRIVATE EVENTS

    Weddings, corporate and celebration formats with curated libraries.

  • 04

    INTEGRATION

    DJ world wired into the lighting and video rig so cues move together.

BUILD WITH DJ
A full production in front of an audience — light, stage and screen together
SCENE 09

EVERYTHING. ONE SYSTEM.

EXPERIENCE.DELIVERED.

One contract, one crew, one show file. Audio, lighting, video, staging and talent engineered together from the first advance call to the last case on the truck.

  • 01

    ADVANCE

    Site survey, power plan, run of show and a technical rider that matches reality.

  • 02

    BUILD

    Load-in, rig, focus, tune, soundcheck — on schedule, every time.

  • 03

    SHOW

    Full crew on console: FOH, monitors, LD, video director, stage manager.

  • 04

    STRIKE

    Clean load-out, venue returned as found, content captured for the archive.

BUILD WITH FULL PRODUCTION

THE TOOLKIT

WHAT MAKESTHE SHOW POSSIBLE.

THE SYSTEM THAT REACHES THE LAST ROW.

Full-range PA scaled from a 200-seat room to a 5,000-person field, with the subs, delays and monitor world that make it honest.

AUDIO — 6 SYSTEMS

  • Configuration
    Flown left/right hangs, 8–12 boxes per side
    Coverage
    Predicted and verified to the last row
    Amplification
    Networked amplifiers with onboard DSP
    Alignment
    Measurement-based, tuned on site
  • Deployment
    Ground-stacked, end-fire or cardioid
    Rejection
    Up to ~15 dB off the rear for ordinance control
    Alignment
    Time-aligned to mains at the listening plane
  • Placement
    Towers or pole-mounted at measured distance
    Delay time
    Set to actual propagation, not to the drawing
  • I/O
    Networked stage boxes, 48+ inputs
    Redundancy
    Dual-console or mirrored show file
    Recall
    Per-artist scenes recalled at changeover
  • Wedges
    Coaxial stage monitors, dedicated mixes
    IEM
    Multi-channel in-ear with coordinated frequencies
    RF
    Scanned and coordinated on site, every show
  • Handheld / Lav
    Coordinated multi-channel wireless
    Comms
    Wireless intercom across FOH, stage, LX and video
SPEC MY EVENT

STRAIGHT ANSWERS

Can I book one service instead of full production?
Yes. Many clients book a single discipline alongside their existing team. Full production simply means one contract, one crew and one show file instead of four vendors meeting on load-in day.
Do you provide crew, or just equipment?
Crew is part of the product. Every show ships with named roles — production manager, front of house, monitors, lighting designer, video director and stage manager as the event requires.
How do you decide what system an event needs?
From the room and the audience, never from a package list. We survey the site, model coverage, check power and rigging, then specify. That is why the quote comes after the survey.
A full production in front of an audience — light, stage and screen together

SCENE 11 — BUILD YOUR EVENT

START YOURPRODUCTION.

Tell us what you are producing and we will build a rough production concept with you in about ninety seconds. You get a reference number and a real conversation — not an auto-reply.

  1. EVENT TYPE
  2. DATE
  3. LOCATION
  4. ATTENDANCE
  5. SERVICES
  6. VISION
  7. CONTACT
  8. SUBMIT
BUILD MY EVENT
(601) 325-1594

RESPONSE

Same day

Every enquiry gets a human answer.

REFERENCE

3D-XXXX

Your project is tracked from the first message.

NEXT STEP

Site survey

We quote from the room, not from a price list.