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CONCERT PRODUCTION

CONCERT PRODUCTION.
MISSISSIPPI.

A concert is a schedule problem wrapped around a coverage problem wrapped around an energy problem. 3D Productions builds concert production in Mississippi at a touring standard: the system reaches the last row, the lighting hits on the beat, and the show starts when the ticket says it starts.

CAPACITY
500 to 5,000+ with scaled systems for each tier.
RIGGING
Flown hangs or ground support where there are no points.
TIMECODE
Frame-accurate cues for reveals and headline sets.
CURFEW
Written run of show, enforced on comms.

SOUND THAT HOLDS THE BACK OF THE ROOM

We predict coverage before anything is hung, then tune the system by measurement on site. Delay rings hold the far third of long rooms. Cardioid subs keep low frequency off the stage and off the neighbors.

The goal is simple and hard: the person at the barricade and the person at the back wall should hear the same show.

LIGHTING PROGRAMMED, NOT PRESET

We design a plot for the specific room and then program it cue by cue. Support acts get busked looks with per-artist palettes recalled at changeover. Headline sets and reveals run on timecode so light, video and audio land inside the same frame.

CHANGEOVERS THAT DO NOT KILL THE NIGHT

Multi-artist bills live or die on changeover time. We build a universal input patch and rolling risers so each act plugs into the same stage, and a stage manager runs the clock on comms with a visible countdown. On an eight-act showcase we have averaged under six minutes per changeover.

THE SYSTEM BEHIND IT

PROOF

WHERE

QUESTIONS WE ACTUALLY GET

What size concerts can you produce?
From 500-capacity club shows through 5,000-person outdoor concerts. The system is scaled to the room and the audience, not sold as a fixed package.
Can you produce a show in a venue with no rigging points?
Yes. We build ground support towers and goalposts engineered to carry the full lighting and LED load without touching the building structure.
Do you provide backline?
We coordinate backline as part of the advance and can source it regionally. Our core scope is audio, lighting, video, staging and crew.