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SOUND

SOUND PRODUCTION.
MISSISSIPPI.

Every room is a different instrument. 3D Productions measures it, models it and builds a system that covers the last row as honestly as the first — for concerts, festivals, corporate sessions and celebrations across Mississippi.

LINE ARRAY
Flown mains scaled to the room and the crowd.
DELAYS
Towers set to measured propagation past 90 feet.
MONITORS
Dedicated engineer, wedges and coordinated IEM.
TUNING
Measurement-based alignment on site, every build.

COVERAGE IS THE WHOLE JOB

Volume is easy. Even coverage is not. We predict the array before it is hung, then verify it by measurement once it is in the air — mains, fills, delays and subs, aligned at the listening plane rather than on paper.

INTELLIGIBILITY FOR SPEECH, IMPACT FOR MUSIC

A general session and a concert are not the same system. For speech we aim for clarity first and keep the subs low and tight. For music we build low-frequency energy deliberately and control where it goes, using cardioid or end-fire sub arrays where an ordinance or a neighborhood is in play.

MONITOR WORLD AND RF

What the artist hears decides the performance. We provide dedicated monitor engineering with wedges and in-ears, and we scan and coordinate wireless frequencies on site for every show — never from a saved template.

THE SYSTEM BEHIND IT

PROOF

WHERE

QUESTIONS WE ACTUALLY GET

Do you rent PA systems without an engineer?
For small, simple events we can. For anything with a live band, multiple acts or a difficult room, the engineer is the product — an untuned system in a hard room will disappoint everyone.
Can you meet a city sound ordinance and still have energy?
Yes. Directional sub arrays can pull roughly 15 dB off the rear of the stage. The crowd keeps the impact while the neighborhood behind the stage gets meaningful relief.
How many inputs can you handle?
Our standard console package handles 48 or more inputs with networked stage boxes, with separate front-of-house and monitor positions.