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3DPRODUCTIONSWE ENGINEER
THE MOMENT.

  • SOUND
  • LIGHT
  • STAGE
  • VISION
  • ENERGY
  • EXPERIENCE
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SCENE 03 — THE PRODUCTION ENGINE

EVERYTHING STARTS WITHTHE RIGHT SYSTEM.

RIG STATE — 1 / 5 ACTIVEPARTIAL SYSTEM

Switch on what your event needs. The rig builds in front of you — the same way we build it in the room.

SCENE 04

WE ENGINEER THE ROOM.

SOUND.ENGINEERED.

Every room is a different instrument. We measure it, model it, and build a system that covers the last row as honestly as the first. Line array or point source, the answer comes from the room — never from the catalog.

  • 01

    COVERAGE DESIGN

    Room modeling and array prediction before a single box is hung.

  • 02

    SYSTEM TUNING

    Measurement-based alignment, delay rings, and time-aligned subs.

  • 03

    MONITOR WORLD

    Wedges, IEMs, and dedicated monitor engineering for the artist.

  • 04

    SHOW CONTROL

    Redundant front-of-house with a documented, repeatable show file.

SCENE 05

WE CONTROL THE ENERGY.

LIGHT.PROGRAMMED.

Lighting is pacing. It tells the crowd when to breathe and when to lose it. We design the rig, then program the show cue by cue so the energy lands on the beat instead of near it.

  • 01

    RIG DESIGN

    Plots, hang positions, power and data distribution engineered to the venue.

  • 02

    PROGRAMMING

    Cue-by-cue busking and timecode for set pieces that must hit exactly.

  • 03

    ATMOSPHERE

    Haze management so every beam is visible without fogging the room.

  • 04

    OPERATION

    A dedicated LD on console for the entire show, not a preset on repeat.

SCENE 06

WE BUILD THE PLATFORM.

STAGE.BUILT.

The stage is the structure everything else hangs from. Decks, roof, ground support, barricade and rigging get engineered first — because the show only exists if the platform is safe.

  • 01

    STRUCTURE

    Decking, risers and roof systems specified to load and wind rating.

  • 02

    RIGGING

    Ground support and motor rigging with documented point loads.

  • 03

    FLOW

    Load-in paths, wings, stairs, ramps and backline placement.

  • 04

    SAFETY

    Barricade, crowd separation and a written production safety plan.

SCENE 07

WE MAKE THE MOMENT VISIBLE.

VISION.SCALED.

LED turns a stage into a screen and a room into a world. We build the wall, run the content, and put IMAG in front of the people standing four hundred feet back.

  • 01

    LED WALLS

    Indoor and outdoor tile packages configured to viewing distance.

  • 02

    CONTENT

    Motion backdrops, sponsor loops and set-specific visual design.

  • 03

    IMAG

    Live camera, switching and playback so the back of the room sees the front.

  • 04

    PROCESSING

    Redundant processors, scalers and a clean signal path end to end.

DJ Marcus DaGreatest

Founder / Producer / Creative Director

SCENE 09 — THE MIND BEHIND THE MOMENT

THE MINDBEHINDTHE MOMENT.

3D Productions exists because Marcus already knew what happens when sound, people, energy and production come together — and what happens when one of them is missing. The company is the answer to that problem, built by somebody who has stood in the middle of it.

  1. DJ

    Reading a room in real time, every weekend, for years.

  2. ENTERTAINER

    Learning that the room is the performance, not the playlist.

  3. PRODUCER

    Putting the show together instead of waiting to be booked on one.

  4. TECHNICAL DIRECTOR

    Owning the rig — coverage, power, rigging, the whole signal path.

  5. EXPERIENCE ARCHITECT

    Designing what the audience feels from load-in to last song.

  6. 3D PRODUCTIONS

    One company that engineers all of it.

SCENE 10 — THE TERRITORY

THE GULF SOUTHIS THE ROOM.

MISSISSIPPILOUISIANAALABAMAGEORGIATEXASHATTIESBURGJACKSONGULFPORTBILOXIMERIDIANNEW ORLEANSBATON ROUGELAFAYETTESHREVEPORTMOBILEBIRMINGHAMMONTGOMERYATLANTAHOUSTONMEMPHIS

TIER 1 MARKET

HATTIESBURG

MS

Home base. Shop, inventory and crew stage from here.

CAPABILITIES

  • Full production
  • Same-day response
  • Warehouse + truck pack
  • Local crew call

SCENE 11 — BUILD YOUR EVENT

START YOURPRODUCTION.

Tell us what you are producing and we will build a rough production concept with you in about ninety seconds. You get a reference number and a real conversation — not an auto-reply.

  1. EVENT TYPE
  2. DATE
  3. LOCATION
  4. ATTENDANCE
  5. SERVICES
  6. VISION
  7. CONTACT
  8. SUBMIT

RESPONSE

Same day

Every enquiry gets a human answer.

REFERENCE

3D-XXXX

Your project is tracked from the first message.

NEXT STEP

Site survey

We quote from the room, not from a price list.