HATTIESBURG
Hattiesburg has the audience for real concerts and a shortage of rooms built for them. 3D Productions closes that gap: we bring the rigging, the system and the crew that turn a local hall into a concert venue for one night.
On Southern Soul Live we walked into a flat concrete floor at 6:40 a.m. and opened doors to 1,500 people that evening — ground support up, line array flown, delay ring set, a 12-by-8 LED wall running content and a timecoded headline set. Zero minutes of show delay.
Long, narrow halls with hard rear walls are a coverage and intelligibility problem before they are a volume problem. We tune to the room, add a delay ring where the level falls off, and deliberately shade the high end off reflective surfaces.
A promoter needs a number that holds, a schedule that holds and a show that starts on time. We quote from a site survey, deliver a technical rider that matches the real venue, and run the day against a written clock.
THE SYSTEM BEHIND IT
SOUND
WE ENGINEER THE ROOM.
Every room is a different instrument. We measure it, model it, and build a system that covers the last row as honestly as the first. Line array or point source, the answer comes from the room — never from the catalog.
LIGHT
WE CONTROL THE ENERGY.
Lighting is pacing. It tells the crowd when to breathe and when to lose it. We design the rig, then program the show cue by cue so the energy lands on the beat instead of near it.
VIDEO
WE MAKE THE MOMENT VISIBLE.
LED turns a stage into a screen and a room into a world. We build the wall, run the content, and put IMAG in front of the people standing four hundred feet back.
STAGE
WE BUILD THE PLATFORM.
The stage is the structure everything else hangs from. Decks, roof, ground support, barricade and rigging get engineered first — because the show only exists if the platform is safe.
PROOF
WHERE
HATTIESBURG, MS
Home base. Shop, inventory and crew stage from here.
QUESTIONS WE ACTUALLY GET
ASK 3D
PRODUCTION CONCIERGE
Tell me what you are planning and I will start building it.
